Colher, faca e garfos, Löffel, Messer und Gabeln, Spoon, knife, and forks | Caprii

Name: Colher, faca e garfos, Löffel, Messer und Gabeln, Spoon, knife, and forks | Caprii
Brand: Sies + Höke
Price: 10.0 EUR
Availability: InStock

€10,00

• English, Softcover
• 32 pages
• 16,8 x 23,5 cm
• Poem and Text: Filipa da Rocha Nunes
• Photography: Joana Hintze
• Design: Thomas Spallek
• ISBN 978-3-932729-50–9
• Published by Sies + Höke, 2025

Designed by Thomas Spallek, featuring a poem and a reflective text inspired by the photographs. These are presented in their original language, Portuguese, alongside English and German translations.The Booklet is part of the exhibition

Colher, faca e garfos, Löffel, Messer und Gabeln, Spoon, knife, and forks – One by Thomas Spallek with artwork by Joana Hintze and texts by Filipa da Rocha Nunes Apr 4th – May 3rd, 2025, Caprii, Düsseldorf

One room.
One work.
One is the name of a free exhibition concept at Caprii, whose displays are reduced to a single work. By focussing on the individual piece, a particularly intimate moment is created between the work and the viewer.
In this series Caprii asks people from the world of art for the One?

In this edition of One we invited Thomas Spallek. In a collaborative interpretation of the theme created One out of three, with Joana Hintze and Filipa da Rocha Nunes. The exhibition is accompanied by a booklet with a poem and text by Filipa da Rocha Nunes, in German, Portugues and English.

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Colher, faca e garfos, Löffel, Messer und Gabeln, Spoon, knife, and forks – One by Thomas Spallek with artwork by Joana Hintze and texts by Filipa da Rocha Nunes, Caprii, Düssledorf

Till Megerle has lived in Vienna for some time now. He studied in Vienna at a historically protected academy with skylit studios and centuries-old wooden tribunes in the drawing hall, where he now also teaches and paces up and down the steps during the evening life drawing sessions—an exercise practiced in more or less the same way for the last 300 years, in which students equipped with wooden drawing boards sketch models posed on a central pedestal. The drawings in this show were made in a classic prewar apartment building with high ceilings, few rooms, and parquet floors well-trodden by generations of complete strangers, which nobody right now could afford, much like the high ceilings that no contemporary owner could build, while the often makeshift bathrooms were only installed much later on.[...]